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1.
Debout, éveille-toi! 04:33
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2.
Drei Bierbaum Lieder - Adoration 03:41
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3.
Drei Bierbaum Lieder - Die schwarze Laute 03:39
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4.
Drei Bierbaum Lieder - Gigerlette 01:54
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5.
Impromptu for piano 09:12
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6.
Sechs Lieder - Ossa sprach (Droste Hülshof) 02:33
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7.
Sechs Lieder - Extase (Bierbaum) 02:11
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8.
Sechs Lieder - Der schwarze Ritter (Bierbaum) 01:45
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9.
Sechs Lieder - Friede (Karl Maria) 01:31
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10.
Sechs Lieder - Traumgewalten (Lenau) 02:34
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11.
Sechs Lieder - Schmied Schmerz (Bierbaum) 01:05
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12.
Sonata for violin and piano - Moderato 03:58
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13.
Sonata for violin and piano - Scherzando 01:33
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14.
Sonata for violin and piano - Lento 02:54
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15.
Sonata for violin and piano - Allegro moderato 03:13
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16.
Nursey Rhymes - Cradle song 01:45
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17.
Nursey Rhymes - Wind on the hill 02:03
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18.
Nursey Rhymes - Round about 03:01
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19.
Sonata 1943 - Moderato 04:00
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20.
Sonata 1943 - Lento 02:43
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21.
Sonata 1943 - Vivace 01:56
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22.
Oranje May-lied 03:05
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23.
Holland 03:00
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24.
Uit het diepst van mijn hart 01:55
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about

Johanna Bordewijk-Roepman (Rotterdam, 1892 – The Hague, 1971) was a many- sided composer. She was not only versatile and talented, but also self-willed and original.
The 'Sonata 1943' for piano solo was performed already during the war many times. Bordewijk-Roepman had dedicated the work to the pianist Nelly Wagenaar (1898-1985) who frequently performed it after the liberation, not only in The Netherlands but also in England and America. The sonata, however, received its premiere on one of the so-called ‘zwarte avonden’ (‘black evenings’). This was the name given the illegal house concerts, organized throughout The Netherlands during the German occupation. The sonata received an award from the government in 1946. When in 1952 the pianist Paul Kurpershoek played the sonata in Leiden, a critic wrote: ‘The sonata, written in 1943 by Johanna Bordewijk-Roepman, received the rendition this well-composed and interesting work deserves. It was a pleasure to become acquainted with this work; it certainly deserves a place in the Dutch concert repertoire.’

credits

released January 30, 2022

Production: Stichting Bordewijk Genootschap, www.bordewijkgenootschap.nl
Recorded at Zeeuwse Concertzaal, Middelburg, the Netherlands
Musical director and recording: Jakko van der Heijden
Editing: Jakko van der Heijden, Concertstudio, Middelburg
Recording dates: June 30, July 1 and 2, 2016
Piano: Steinway D
Piano technique: Joost van Hartevelt, de Hamernoot, Middelburg

Linernotes: Elly Kamp and Margaret Krill
Translation: Elizabeth Gaskill
Design: Meeuw

Special thanks to: Gunilla Bordewijk-Ingelsson† en Sixten Bordewijk, Prins Bernhard Cultuur Fonds, Stichting Vrienden Nederlandse Muziek, Stichting G.H.G. von Brucken Fock Fonds, M.A.O.C. Gravin van Bylandt Stichting, Kattendijke Drucker Stichting, Elly Kamp, Nederlands Muziek Instituut, Hotel aan de Dam Middelburg

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